AlfE: Tracks That Shaped My Sound

Norfolk-born singer-songwriter AlfE is carving out a fresh voice in indie-rock, blending raw honesty with introspective storytelling. Inspired by the likes of The Strokes, Oasis, and Catfish and the Bottlemen, his music captures the highs and lows of growing up in the 21st century.

Now stepping into the spotlight as a solo artist, AlfE is setting the tone for his journey with Privilege—a powerful, self-aware anthem that confronts the realities of privilege in today’s world. With his signature authenticity and lyrical depth, AlfE is here to make music that matters.

Oasis - Slide away.

I can still remember flicking on the ‘Supersonic’ documentary for the first time when I was about 14 or 15. The behind the scenes access the documentary covered instantly made me infatuated with the idea of being in a band, and buying a parka. Weeks later, I was in what I didn't realise was my first band rehearsal. I had my mates sunburst Les Paul around my neck, strumming along to Slide Away with the volume knob on the battered Orange cab turned to 11. I never got that parka, but Oasis certainly kick-started my ambition for music. 

The Strokes - A Modern Age.

The Strokes have an undeniably iconic sound. One of the first songs I ever wrote was a rip off of ‘A Modern Age’, and somehow no one ever noticed. They sounded nostalgic and fresh, and straight out of a rehearsal room. The kind of imperfectious nature I relish in a rock and roll band. They still sit in the top 5 of my Spotify wrapped every year, and their influence remains ingrained in what I write. 

LCD Soundsystem - New York, I love you but you're bringing me down.

I only became aware of James Murphy’s discography at the very end of my adolescence, but instantly resonated with it. I think I had ‘Sound of Silver’ on repeat when first stumbling across the idea for ‘Privilege’. His ability to capture the existential anxieties of modern life coupled with raw and distinctively emotional vocals, is something I try to encapsulate in my recordings. 

Sam Fender - Dead Boys.

I'm a big fan of Sam’s music, and what he stands for. Not only has he brought guitar music back to the mainstream, but he's a good role model for young men in this country. And ain’t afraid to throw two fingers up to anyone who deserves it. I have a particular admiration for ‘Dead boys’ as he showcases his ability to use art to communicate important messages and stories that people need to hear.