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Tramhaus: The Post-Punk Juggernaut Shaping Chaos into Sound


Rotterdam’s post-punk powerhouse Tramhaus is making waves, and their long-awaited debut album *The First Exit* cements their status as a musical force to be reckoned with. Fierce, unapologetic, and dripping with attitude, the album's nine-track, 30-minute whirlwind has critics raving: *So Young Magazine* calls it “a statement of intent,” while *The Quietus* lauds it as “a vortex of catchy noise.” From riotous live shows across Europe, Japan, and SXSW, to airplay on BBC Radio 6 and KEXP, Tramhaus is set to take their biggest headline tour yet, bringing their explosive, danceable fury to the masses. Prepare for dissonance, twisted dreams, and the chaotic brilliance that is Tramhaus.


1. The First Exit has been described as a "statement of intent" for Tramhaus. What message were you aiming to convey with your debut album, and how does it reflect the ethos of the band?


If there is one message we're trying to convey with this album it's that of an eternal internal questioning, and with that of immense personal liberation. Sonically I feel there are many songs on this record which build up nervously and eagerly to climax into explosive highs. But often find their way back to ground sooner than later. All being allegorical for how we perceive life as it is. 


2. Your sound has been praised as a fusion of fierce punk-rock energy with danceable rhythms. How do you strike the balance between chaos and groove in your music?


This balance comes quite naturally as our different musical backgrounds pave the way for that. Separate from each other we listen to US hardcore punk, to 70's soul and Scottish folk. Take this into a small rehearsal space and a groovy punk song comes out. 


3. Having toured across Europe, the UK, and even Japan, how have your live performances evolved over time, and how does your stage presence influence your songwriting process?


With every show you're subconsciously evaluating the set and from there on you gather a lot of experience. This you take into the studio and use to create new songs. Almost like: 'I am done with playing this song live, so I'm gonna do it a lot differently now'.  



4. Micha Zaat mentioned the album features "dissonance and twisted dreams, personal stories and introspective contemplation." Can you share any specific experiences or themes that shaped the tracks on The First Exit?


Themes that shaped this record lie in a collective feeling of tension and unrest we feel around us, combined with moments of clarity and purpose in the most unexpected times. But as much so in a personal story of a man coming out as gay. 


5. With your biggest headline tour coming up, including a stop at Amsterdam's iconic Paradiso, what excites you most about taking The First Exit on the road, and how do you plan to bring its intensity to your live shows?


What excites me the most is being able to make people feel something. I hope to see people's faces change (in any way) when we play our music. To make somebody feel something special is a true honour and privilege.

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